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RIC | HERTZ
The mix desk at night: the session on the big screen between two mosaic lamps, Amphion monitors, the synth rack and a tablet mixer

01Input

Ric Hertz.

Between your mix and the world sits one pair of ears: thirty years at the faders, work with Mott the Hoople's Verden Allen and Lacuna Coil's Marco Barusso. No juniors, no presets. Ric signs every master himself.

  • 30 years of mixing & mastering
  • From £100 / track
  • Free revisions
  • Free test master for new clients

02Monitor

Hear the difference.

  • Real tracks

    Not demos or samples

  • Level matched

    Gain-matched for a fair comparison

  • Real results

    Hear the detail, clarity and impact

These are real masters, gain-matched against the raw mix so you can hear the actual difference. Switch between BEFORE and AFTER to compare. No loudness trick, just a better master.

Perfect Storm cover art

Perfect Storm

Ric Hertz, Darkwave

0:00 / –:––
Gain matched

Before (raw mix)

-17.8 LUFS
Integrated
11.4 LU
Loudness range

After (mastered)

-17.9 LUFS
Integrated
11.1 LU
Loudness range
So Clean cover art

So Clean

Ric Hertz, Darkwave

0:00 / –:––
Gain matched

Before (raw mix)

-19.0 LUFS
Integrated
12.0 LU
Loudness range

After (mastered)

-19.0 LUFS
Integrated
11.7 LU
Loudness range
Ric's mastering desk: monitors, synths and the DAW

03The room

Built for one thing: accuracy.

A purpose-built mastering environment designed around truth, not flattery. Every element, from monitoring to room treatment, is chosen for translation, consistency and confidence.

A quiet space, a revealing system and a clean signal path. So what you hear here holds up everywhere else.

Monitors

Amphion One18 · RCF Ayra Pro10 sub

Exceptionally neutral monitoring with extended low-end and honest detail.

Conversion

Prism Sound Lyra 2

Reference-grade AD/DA conversion for a transparent, uncompromising signal path.

Correction

Dirac Live · PreSonus PRM1

Accurate room correction and real-time monitoring metering.

Cross-check

IK Multimedia iLoud MTM MKII

Compact, revealing alternative perspective to validate balance and translation.

Translation

HIFIMAN Ananda Nano · Austrian Audio Hi-X65

High-resolution open-back and closed-back headphones for final translation checks.

The tools
behind the sound

  • Precision monitoring
  • Reference conversion
  • Acoustic control
  • Multi-system checks
  • Real-world translation
Put your track in these hands

05Chain of custody

The chain runs like this.

Everything happens on one private project page: payment, files, progress, revisions, delivery.

  1. 01

    Choose and pay

    Pick a service, pay per track, and a private project page opens.

  2. 02

    Upload the mix

    Send files through your project page. Reviewed within 24 hours.

  3. 03

    I get to work

    Every decision is made by hand in a treated room on real monitors.

  4. 04

    Approve and release

    Review, request revisions, then download release-ready files.

06In their words

“When it came to the mix, he really brought the song to life, pulling out details and energy we’d overlooked and helping it become the best version of itself. It always felt like a genuine collaboration.”
Joe DissonThe UndividedMix & master
Read the full note
Modular synth rack, keys and meters in the studio

07The engineer

One nameon everymaster.

Behind that name is a story worth five minutes: three decades from KJM Music Studios to a room floated off its own foundations, and a mastering system built in-house because nothing off the shelf was good enough.

Est. 1995 · Mott the Hoople · Lacuna Coil · Rapture Power
Step inside the studio
From the room

“A one-of-a-kind mastering system built around thirty years on the ears.”

Decoupled buildDirac-calibratedMeasured, not guessed

08Output

Send one track.
Pay nothing.

New clients get the first half of one track mastered free. If the test master doesn't move you, walk away. No invoice, no hard feelings.

Half a track · no invoice · no hard feelings